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Premier Jester is a Electronicore band from South-East England with members based across Kent and the Berkshire/Surrey area. They describe themselves as a “Tinder band,” having formed through a musician matching app that connected them while searching for collaborators. What began as an online connection quickly evolved into a full lineup, bringing together Joey Yates (clean lead vocals, harsh backing), Jimmy Martin (harsh lead vocals, clean backing), guitarist Jonah Pritchard, bassist Adam Berces, and drummer Chris Belae.
Premier Jester’s track, "Pac'd Out", is a darkly playful snapshot of modern connection, where chasing replaces connecting and winning matters more than genuine emotional freedom or fulfilment. It frames romance and ambition as a surreal arcade game, a maze where everyone is chasing, competing, and consuming, but no one truly knows the rules.
"Pac'd Out" leans confidently into its electronicore identity, blending Chiptune style synths with heavy, modern production. The 8-bit key sounds immediately establish the video game motif, reinforcing the song’s maze imagery, while layered synths and MIDI textures add emotional weight beneath the chaos.
The arrangement is tight and energetic, shifting smoothly between sections without losing momentum. Nothing feels overcrowded or underdeveloped, each element has its own space to breathe while still contributing to a dense, driving sound. Production is clean and polished, with a well balanced mix that allows both electronics and guitars to shine, supported by punchy, dynamic drum fills.
Lyrically, "Pac'd Out" turns modern connection into a competitive game. Using Pac-Man-inspired imagery (Inky, Pinky, Blinky, Clyde), the lyrics depict desire as predatory and repetitive. People are either hunting or being hunted, trying to “win” rather than understand.
Questions like “Can we escape this game?” and “Can we escape this maze?” highlight awareness of the cycle’s toxicity, yet the addictive nature of pursuit keeps the players engaged. Wordplay and metaphors (“cherry,” “taste,” “appetite”) balance dark themes with playful, cheeky humour.
The structure mirrors the concept, with looping hooks and repeated phrases echoing the sense of being trapped in a maze. The intro sets the tone, transitions are purposeful, and the ending feels intentionally unresolved, reinforcing the cycle’s repetition.
The contrast between clean and harsh vocals reflects both sides of the chase. Instrumental performances are tight and expressive, with drums adding momentum and bridging electronic and rock elements seamlessly.
"Pac'd Out" rewards repeated listens with layers of hooks, production details, and lyrical depth. It leaves a lasting impression within its genre and carries meaningful commentary on modern desire.
The video for "Pac'd Out" is vibrant, polished, and visually consistent. Cinematography is clear and purposeful, with neon blues and purples reinforcing both the song’s mood and Premier Jester’s identity. Editing is smooth, synced to the song’s rhythm, with creative post production moments such as Joey Yates digitally transporting from the arcade machine to approach the woman at the bar.
The arcade setting effectively represents "Pac'd Out"’s themes, making love and dating feel like a literal game. Focusing on games like Pac-Man, Time Crisis, and Point Blank, the video mirrors the lyrics’ sense of pursuit and repetition. “ONE MORE LIFE” flashing on screen reinforces the idea of repeated emotional risk.
The narrative follows attraction, pursuit, and distance, visually translating the metaphor without confusion. Symbols and gameplay references deepen the song’s meaning.
The video flows smoothly from start to finish. The opening shots immediately establish the arcade tone, while the ending reinforces ongoing cycles. Pacing matches the song’s energy, and the video works as a standalone visual piece.
On camera, Joey Yates and Jimmy Martin carry the narrative. Their performances are slightly awkward but align with the band’s cheeky tone. The other members, Jonah Pritchard, Adam Berces, and Chris Belae, remain masked and focused on instruments, keeping the visual emphasis on the central metaphor.
The director’s choices are confident, with costumes, lighting, and props mostly enhancing the concept, though some outfits (Squid Game, V for Vendetta, kitsune masks) feel disconnected from the core video game theme.
The video for "Pac'd Out" is highly rewatchable, with neon colours, arcade machines, and costume details rewarding repeated viewing. It elevates the song’s concept, leaving a memorable impression while strengthening Premier Jester’s visual identity.
Together, "Pac'd Out" and its music video form a cohesive, playful, and critical take on modern desire. The track’s energetic electronicore production, clever wordplay, and hauntingly fun game metaphor pair seamlessly with a visually rich and conceptually consistent video. While a few stylistic choices in the video feel slightly disconnected, both mediums combine to deliver a compelling artistic statement about pursuit, performance, and emotional cycles in contemporary connection.
The arcade setting effectively represents "Pac'd Out"’s themes, making love and dating feel like a literal game. Focusing on games like Pac-Man, Time Crisis, and Point Blank, the video mirrors the lyrics’ sense of pursuit and repetition. “ONE MORE LIFE” flashing on screen reinforces the idea of repeated emotional risk.
The narrative follows attraction, pursuit, and distance, visually translating the metaphor without confusion. Symbols and gameplay references deepen the song’s meaning.
The video flows smoothly from start to finish. The opening shots immediately establish the arcade tone, while the ending reinforces ongoing cycles. Pacing matches the song’s energy, and the video works as a standalone visual piece.
On camera, Joey Yates and Jimmy Martin carry the narrative. Their performances are slightly awkward but align with the band’s cheeky tone. The other members, Jonah Pritchard, Adam Berces, and Chris Belae, remain masked and focused on instruments, keeping the visual emphasis on the central metaphor.
The director’s choices are confident, with costumes, lighting, and props mostly enhancing the concept, though some outfits (Squid Game, V for Vendetta, kitsune masks) feel disconnected from the core video game theme.
The video for "Pac'd Out" is highly rewatchable, with neon colours, arcade machines, and costume details rewarding repeated viewing. It elevates the song’s concept, leaving a memorable impression while strengthening Premier Jester’s visual identity.
Together, "Pac'd Out" and its music video form a cohesive, playful, and critical take on modern desire. The track’s energetic electronicore production, clever wordplay, and hauntingly fun game metaphor pair seamlessly with a visually rich and conceptually consistent video. While a few stylistic choices in the video feel slightly disconnected, both mediums combine to deliver a compelling artistic statement about pursuit, performance, and emotional cycles in contemporary connection.
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